Recorded at the Happy Days International Beckett Festival in Eniskillen in 2014. This brief interview with composer Gavin Bryars was carried out as part of a report on the festival for the Irish arts programme Culture File.
Category: Radio
Campaign for Wicklow Sudbury School
Wicklow Sudbury School is an experiment in Irish education. The first curriculum ‘free school’ in the country. A school where students spend all day long, pursuing their real interests. The Sudbury Valley model, pioneered in Massachusetts in the late 1960s, puts children in charge of directing their own education. A few years ago I organised some events along these lines in Dublin. Learning and teaching as self directed fun. Those experiences, and my time volunteering at Exchange Dublin – the democratically organised art space in Temple Bar forcibly shut down by Dublin City Council in 2014 – have shown me the power of learning as play. The importance of genuine ‘third spaces’, where people can explore through play to offer the kind of deep personal enrichment that bureaucratic curricula and educational measures cannot hope to define, let alone measure. These spaces are so rare in our contemporary societies, where every inch is commodified and defined, every intervention tailored, every creative work moulded and marketed to a constructed audience, that they can seem fantastical. They are spaces that literally remind us what it means to be human. Connection, creativity, love in action.
Last year I made a radio documentary, following a year in the life of the school – exploring in a small way the opportunities for more libertine forms of education in Ireland in general. This year, as I moved out of radio and into video production, I offered to head back to the school, to help with their crowd funding campaign. I spent a day at Wicklow Sudbury, shooting interviews and capturing the decidedly unconventional educational environment. I combined short interviews with three staff and five students with footage of the learning through play that makes this place unique. The end results are a ten minute mini-documentary and a two minute promotional video. Unlike the documentary this campaign is decidedly partisan. I’ve worked as hard as I can to convey the enthusiasm of staff and students for this new kind of education.
Hopefully these videos capture a little about what makes this school so different. This really is a place where kids can be themselves. A place to develop the kind of diverse talents that our rigid bureaucratic education system cannot accept, let alone promote. These kids are passionate, creative, and above all independently minded. They give me hope for a future less rigid, heartless and polarised than the present. This is the kind of place that any misunderstood, creative kid might have imagined into existence. It’s the sort of place that makes having kids worth considering. It’s that revolutionary. If you’re interested in learning more, Wicklow Sudbury staff frequently offer talks about setting up your own community school, and you can find information about these, and if you’d like donate towards the school (which naturally receives no government funding), at their website.
Pardon Me – Shy Mascot (Music Video)

Black Magic Pocket Cinema 4k – Test Grade
The new Black Magic Pocket Cinema 4k camera is due at the end of the month. Black Magic have released some test RAW and Prores footage here.
I grabbed it and did a quick test grade (literally 20 minutes) last night. Results below. Video is only 1080p (as I have the free version of Resolve, although the full version comes with the camera). Overall I’d say it’s incredibly easy to grade – although the basic footage out of the camera is a little sepia by default and a little noisy prior to grading.
As you can see, the default LUT included for the camera in Da Vinci is way too strong, so you’d want to key it back if you were going to use it, which I wouldn’t recommend.
I graded about half the available clips, might have another mess around later with the other half if there’s any interest. Also might try a more ‘creative’ grade than the neutral one below.
The Muse Unbidden Win’s Charles Ogle at the Mark Time Awards
Roger Gregg’s ‘The Music Unbidden’. a moving and surreal musical exploration of the world of performance poetry, has just brought home Silver in the Fantasy category at the 2018 Mark Time Awards. Congratulations to Roger and all the Cast for a well deserved win. The play was broadcast in late 2017 on Newstalk and was funded by a grant from the Broadcast Authority of Ireland. It was produced by Dead Medium Productions, and recorded at Crazy Dog Studios in Dublin. Sound engineer was Collette Kinsella. Below you can stream or download the award winning production. Congrats to Roger & all the cast and crew!
Download: The Muse Unbidden
CREDITS: ‘The Muse Unbidden’ was executive produced by Gareth Stack, writing / direction by Roger Gregg, recording by Colette Kinsella. The cast were Morgan Jones, Tiernan Kearns, Angel Hannigan, Sinead Fox, Katie McCann, Karen Ardiff and Roger Gregg. Music by Roger Gregg.
Funded by the Broadcast Authority of Ireland with the television license fee.
Mic Drop (Radio Drama)
Download: Mic Drop
Mic Drop is a new one off drama, starring Adam Tyrell, based on the play that debuted to critical acclaim at the ‘Scene + Heard’ Festival in Summer 2017. This one-man show tells the story of Irish web entrepreneur Perry Pardo. Perry is the living embodiment of the new Ireland. A working class boy made good, Perry moved to San Francisco to make his fortune, and now he’s back to teach a room full of eager listeners how to replicate his success. This satirical business seminar rapidly descends into a dark exploration of contemporary Ireland, as Perry’s hard partying catches up with him and he undergoes a breakdown – revealing his background and failings through fragments of story and song. In the process Perry reveals the anxieties and hypocrisies that can underlie the success stories of Irish entrepreneurship, and the dark side of wealth.
Credits
Perry Pardo – Adam Tyrell
Writer / Director – Gareth Stack
Sound Engineer – Brendan Rehill
Script Editor – James Van De Waal
Lyrics from ‘Monto’ by The Dubliners
Audience – Seamus Stackpoole, Frances Galligan, Shane Connelly, Nicole O’Connor, Kenny Stapleton, Dominik Turkowski.
Music – Ariel Beat, Myuu, Marc Remillard and Audio Jungle.
Sound Effects
- S: Door Open Close Heavy Wooden Medium Creak Seal Theatre by LampEight | License: Creative Commons 0
- S: Radio Static by GowlerMusic | License: Attribution
- S: Washing mashine, centrifugue by ohrpilot | License: Creative Commons 0
- S: Whirl by GirlwithRecorder | License: Creative Commons 0
- S: Pushing through curtain or cloth 3 by JakLocke | License: Attribution
- S: hearth fire / light by jarokoco | License: Attribution
- S: Feu .wav by Slanesh | License: Attribution
- S: Fire_Crackles(No Room).wav by Krisboruff | License: Attribution
- S: Cave Fire by barrygusey | License: Creative Commons 0
- S: calm orchestral band 02 140928_0418.wav by klankbeeld | License: Attribution
- S: Wind at door howling 4.wav by Bosk1 | License: Attribution
- S: tappingMic.wav by susychristiansen | License: Creative Commons 0
- S: microphone_feedback4 by zerolagtime | License: Attribution
- S: card on plate.mp3 by Joseph999 | License: Creative Commons 0
- S: sim phone ring.wav by THE_bizniss | License: Attribution
How I Got Screwed Filming a Pro-Putin Singer
What Happened
On February 10th, 2018, I was hired to film a concert in the Helix Dublin as part of the Festival of Russian Culture organised by The Council of Russian Compatriots of Ireland (dead link). The fee offered was extremely low, but at the time I was willing to do it – both because the job had been passed on by a friend, and to have the opportunity to gain footage from a high profile venue for my showreel.
I filmed the concert, recorded the audio from the desk in stereo, edited, graded and titled the video, and provided it to the concert organisers. Initial changes were requested, which were carried out. Further changes were requested – though never specified, which I stated I’d be happy to make after the fee had been paid. No payment was forthcoming. On 22nd March half payment was received directly into my bank account, without any accompanying communication.
Unfortunately, to date the organisers have failed to pay the balance of the extremely modest fee. Instead they have cut off all contact. Despite numerous emails, phone calls and ultimately letters of demand on headed paper, to date they show no sign of settling this debt.
This leaves me with no option but to name and shame them. Freelancers and others doing business with those involved need to know that they may not pay their bills.
Who Wont Pay
The man who hired me, and seemed to be in charge of the concert was Jaroslav Jankovskij, a resident of Dundalk.
Another organiser of the concert was Anastasia McCabe. On Feb 26th I corresponded by text with Mrs McCabe. Mrs McCabe congratulated me on the quality of the video, confirmed she would organise payment, then asked for minor adjustments to the video. I confirmed I was happy to carry out adjustments after payment had been received.
I spoke to Mrs McCabe by phone on March 5th. Mrs McCabe mentioned (but did not specify) additional changes to the video, which I again stated I’d be happy to provide after payment had been completed. Mrs McCabe then told me I was being rude, and hung up. Despite several attempts, I was unable to reach Mrs McCabe by phone again. Having recovered Mr Jankovskij’s address through the CRO, beginning March 20th I sent him a series of letters requesting payment. These provoked no response.
As previously stated, to date Mr Jankovskij and Mrs McCabe have refused to pay their debt. Be careful when dealing with these people.
Unpleasant Details
At the time of filming the gig, it didn’t appear to be listed on the Helix website. Thus I was unaware till later that the central attraction of the concert was Russian actor Dmitry Pevtsov, whose wikipedia page suggests is both a friend and avid supporter of Russian dictator Vladamir Putin. I was not informed as to the nature of the concert before hand – or it’s connection to the Russian Government / Festival of Russian Culture. During the gig I asked if it was a political event, and I was informed it was not.
At the time I filmed and edited the concert footage, I was unaware that Mr Jankovskij had previously been involved in a violent dispute, involving the non-payment of a debt.
The Listening Stage
Download: The Listening Stage
Each year, legendary radio dramatist Roger Gregg teaches a unique intensive course in radio drama. The Listening Stage follows students of The Gaiety School of Acting’s radio drama course, as they pursue their hopes and dreams of fame. This fly on the wall doc embeds us in Roger’s annual weeklong workshop, introducing actors to the exciting world of audio theatre. The course culminates in a live performance of a radio comedy. We follow the crafting of this production from initial script reading to rehearsals, to the development of sound effects and music, the creation of memorable characters, all the way through to the final performance. Taking a look, for the first time ever, behind the curtain of this legendary drama school’s radio drama workshop.
We’ll join the students as they learn to tailor their voices for the microphone, create characters, and explore an astounding array instruments and old school practical sound effects.
We’ll follow the student’s journey, learn about their backgrounds and ambitions, their dreams and hopes for the future. Joining them as they discover how sound and music punctuate and amplify the dramatic and comedic effects of performance, tempo and suspense. This will be a unique journey into what it means to be an actor and an exploration of the oldest form of recorded storytelling as it exists today. Finally we’ll hear excerpts from the student’s final production, recorded live at a performance in the Boys School Theatre in Smock Alley.
Writer / Director Gareth Stack’s previous documentaries include ‘Getting into the Game’, an introduction to videogame development aimed at school age children; and ‘Mad Scientists of Music’ an exploration of experimental alternative music in Ireland.
Credits
Music – Mattia Cupelli, Sad Piano Music, Jos Lis – various.
Clip from ‘Whatever Happened to Baby Jane’, and ‘The Party’, fair use for educational purposes.
Clip from original recording of ‘Whose Afraid of Rottwang Krell’ used with permission.
With thanks to the Gaiety School of acting.
Special thanks to Roger Gregg and Gaiety School of Acting Class 2017.
Starring:
Ailbhe Cowley, Aoife Martyn, Aoife O’Sullivan, Ben Thompson Caroline Mathiasen, Danaja Wass, Darragh Byrne, Eadaoin Barrett, Eoghan Collins, Gemma Kane, Hana Leigh, Jack Mullarkey, Jessica Leen, Gilly O’Shea, Leigh Douglas, Maureen Rabbitt, Niall O’Brien, Roisin Rankin, Tara Cush, Thommas Kane Byrne.
My two final Radio Programmes – Coming Soon
Probably my final two radio productions (at least under the sound and vision scheme), were both completed last year. By coincidence they’re both coming to air really soon.
Download: The Listening Stage and Mic Drop Trailer
Each year, legendary radio dramatist Roger Gregg teaches a unique intensive course in radio drama. The Listening Stage follows students of The Gaiety School of Acting’s radio drama course, as they pursue their hopes and dreams of fame. This fly on the wall doc embeds us in Roger’s annual weeklong workshop, introducing actors to the exciting world of audio theatre. The course culminates in a live performance of a radio comedy. We follow the crafting of this production from initial script reading to rehearsals, to the development of sound effects and music, the creation of memorable characters, all the way through to the final performance. Taking a look, for the first time ever, behind the curtain of this legendary drama school’s radio drama workshop.
Broadcasts: Saturday March 31st: 9pm, on Newstalk 106-108 FM.
You’ll also be able to stream the show from Soundcloud, or download it from the Dead Medium Podcast right after broadcast.
Mic Drop is a new one off drama, starring Adam Tyrell, fleshing out the play of the same name that debuted to critical acclaim at the ‘Scene + Heard’ Festival in Summer 2017. This one-man show tells the story of Irish web entrepreneur Perry Pardo. Perry is the living embodiment of the new Ireland. A working class boy made good, Perry moved to San Francisco to make his fortune, and now he’s back to teach a room full of eager listeners how to replicate his success. This satirical business seminar rapidly descends into a dark exploration of contemporary Ireland, as Perry’s hard partying catches up with him and he undergoes a breakdown – revealing his background and failings through fragments of story and song. In the process Perry reveals the anxieties and hypocrisies that can underlie the success stories of Irish entrepreneurship, and the dark side of wealth.
Broadcasts: Tuesday 17th April at 2PM, on Phoenix FM.
You’ll also be able to stream the show from Soundcloud, or download it from the Dead Medium Podcast right after broadcast.
Psychology in Mind – Can We Trust Our Memories? (EP2)
Download: Psychology in Mind – Episode 2
Subscribe: iTunes, RSS, Soundcloud.
Read: Show Notes
A new series in which psychologist Dr Andrew P. Allen and writer and broadcaster Gareth Stack, turn to psychology for answers about our minds, brains and personalities.
Todays Question – Can we trust our memories?
Our guest today, Dr Richard Roche, neuroscientist and Senior Lecturer at Maynooth University Psychology Dept.
Credits
Presented by Gareth Stack and Andrew P. Allen. Music by Marc Remillard.
Special thanks to Richard Roache.
Logo rendered in Blender, based on Brain by dgallichan, Bulldog smoking pipe beyondmatter and Felonous Fedora by Jacob Ragsdale.