Shane Connelly, who was one of the guiding lights in Exchange Dublin; recently started a project creating short video portraits of Dublin cyclists. I’ll be shooting and editing eight of these brief portraits, while Shane carries out the interviews (and handles all the thankless organising!). The idea is to humanise cyclists in the face of mounting evidence that drivers do not see us as fully human. Cyclists are often depicted as hordes of lycra clad fit young men, but this doesn’t reflect the diversity of cycling road users in the city.
I directed / edited and co-shot this video for Dublin band Shy Mascot. Previously we’d worked together on the video ‘Pardon Me‘.
4 Lights, the new single from Dublin band Shy Mascot. All the incredible moving shots were carried out by cameraman Sean Bond on his electric skateboard. The video stars the incredibly talented young actor, Lorcan Strain, who recently guested on Game of Thrones final episode.
The video was inspired by my experiences working as a delivery cyclist on the dangerous Dublin city roads during my masters degree.
Director – Gareth Stack Starring – Lorcan Strain Costume / Design – Francis Galligan Action Camera – Sean Bond Camera – Gareth Stack Lighting Assistants – Greg O’Reilly, Fearghal O’Mahoney Producer – Stephen Dalton Late State Capitalist – Aidan O’Sullivan Human Horse – Shane Conneely
Background artists – Nicole O’Connor, Greg Young, James Van De Waal, Dave Rowe, Kyle Cheldon Barnett, Niamh Reddin, Ellen Mee, Michael Marshall, Kevin gibbons.
I shot and edited this advertisement of Ellie Kisyombe, and asylum seeker standing in the 2019 Dublin local council elections. Previously I’d worked with Ellie on videos for her amazing ‘Our Table‘ initiative.
I shot and edited this video for the Irish Design Awards from Institute Designers Ireland. The ceremony was held in the EPIC museum in Dublin this January. Was a chance to roll out some fun oscars style tracking gimbal shots!
I created a series of videos last year for Martinstown House, a beautiful 17th century strawberry gothic manor house in the Curragh. Martinstown House is owned and managed by the Booth family who run the property as a spectacular wedding venue and guest house. I spent three days shooting in the house and gardens, and created these videos interviewing the family and highlighting aspects of the business, from Weddings to fine dining.
I created this series of videos to promote the ecology centre Sonairte. The centre is located less than a mile from the seaside, close to where I grew up in Laytown, Co Meath. Founded in the 1980’s, it was set up to promote hands on learning about the environment, and to exhibit alternative energy, a radical idea at the time. It’s a remarkably tranquil place, where visitors can walk a nature trail or learn sustainable growing techniques in a seizable Victorian market garden.
I shot these videos over two days at the centre, and developed the campaign around promoting the distinct experiences available, from Yoga classes to delicious organic fruit and veg. I may have stolen a few apples, hanging from the heavily laden branches of Sonairte’s twenty-seven distinct species of apple tree.
Sonairte are actively seeking volunteers, especially people with experience in organic horticulture or fundraising at state and European level. You can contact them by phone on 041 982 7572 or by email at email@example.com.
Everything was shot on the Panasonic G80, with a Sigma 18 – 35 Art lens. Most shots were captured on the Crane 2 gimbal. Editing and grading was done in Da-Vinci Resolve, and titling in Final Cut Pro.
I shot this video for Dublin based migrant non-profit, Our Table.
Our table is a community driven project, aiming to highlight the need to end direct provision in Ireland. Our Table aims to create nurturing and empathic spaces where people can gain skills, are paid a wage and can gain knowledge of the Irish food industry. It is a non-profit, non-demoninational organisation that aims to build an awareness of food in multicultural Ireland and to highlight that the current system of Direct Provision is deeply flawed.