We’ve spent a year getting to know this small but mighty camera. We’ve shot around Europe and the US, on both corporate and music videos. Just what makes the Pocket 4K and it’s big brother the Pocket 6K different? What do you need to use these cameras? Can they replace production cameras? Can they be used for run and gun vlogging? Answers to all these questions and more.
This is the first episode in a new series of camera and camera gear reviews, aimed at videographers and editors in Ireland
For the second time this year, a chance encounter led to a music video. I was in Paris, shooting for a corporate client (oh the glamour). Walking around the city, which is I have to remark – utterly diseased with automotive traffic, I struggled to shoot good B-Roll. Magnificent buildings everywhere, under that kind of hideous grey pall which is at once too dark and two bright to film. I stumbled across a photo session in action, an American woman was shooting a man with a robot head as he mimed playing saxophone. Naturally I filmed for a couple of minutes, and ended up chatting to the pair.
After I returned to Ireland, I made a quicky edit for instagram of some of my favourite Paris GV’s. The guy with the robot head – a musician, comic book artist and DJ called Robot Dream, liked the cutaways so much he asked if he could make a piece to go with them. Above is the result. Making music videos – even if they’re made from corporate cutaways – never gets old.
It must have been about a year ago that I met Chris Wilson, and his partner Áine Ní Loingsigh. They were playing together in St Stephen’s Green. Not busking, but just jamming on cello and guitar for the hell of it. I shot some footage with a gimbal I’d just picked up, and we shared emails.
A few months later Chris suggested we made a music video for his debut EP. I came up with a typically ambitious idea, and eventually, over herbal teas in Chris’s boho flat in the docklands he and Aine agreed to do it.
The resulting video is very much ‘stone soup filmmaking’, with a crew working largely for free and a shoestring budget. We shot in the house my great great grandfather built at the turn of the century in Carrigabruise Cavan.
The band (Chris and Áine) gave absolutely stunning performances as a rural couple struggling with poverty and the pain of a hard turn of the century life. Lee Murphy paints an incredibly moving portrait of their child.
The video was shot by Andy Flaherty, Ismael Diarra and myself, with invaluable production from Jimmy Galvin at Shoot Cut Grade. Most of the crew worked for free, and gave their hearts completely to the project. Dan Kelleher, Donal Kelleher, Lisa Murphy, Shona Murphy, Laura Keane, Aisling Lynch, Lee Murphy and of course Nicole O’Connor were incredible as background artists. Costumes were provided by Ciaran Taylor of Carpet Theatre, who personally took us into his home to riddle through his haul of turn of the century garments. Thanks also to David Murphy of Smoke Stack Studios, who provided immense support to the production. Thanks also to my uncle and aunt Michael and Sheila Stack who let us use the old house, which was literally an irreplaceable setting for the video.
Written by Chris Wilson and Grahame Rolfe Video by Gareth Stack Director of Photographer – Andrew Flaherty Camera Operator – Ismael Diarra Producer – James Galvin, Shoot Cut Grade Starring Chris Wilson, Áine Ní Loingsigh, Lee Murphy, Mike Timms. Background Artists – Dan Kelleher, Aisling Lynch, Nicole O’Connor
Irish writer, musician and filmmaker David Turpin asked me to pop by the photoshoot for new record ‘Romances’ several months back. I caught some footage of photographer Dorje De Burgh shooting for the book that accompanied the record. In hindsight we had enough for a very barebones video, a kind of no budget promo for the record’s title track.
I shot and edited this advertisement of Ellie Kisyombe, and asylum seeker standing in the 2019 Dublin local council elections. Previously I’d worked with Ellie on videos for her amazing ‘Our Table‘ initiative.
I shot and edited this video for the Irish Design Awards from Institute Designers Ireland. The ceremony was held in the EPIC museum in Dublin this January. Was a chance to roll out some fun oscars style tracking gimbal shots!
I created a series of videos last year for Martinstown House, a beautiful 17th century strawberry gothic manor house in the Curragh. Martinstown House is owned and managed by the Booth family who run the property as a spectacular wedding venue and guest house. I spent three days shooting in the house and gardens, and created these videos interviewing the family and highlighting aspects of the business, from Weddings to fine dining.
I created this series of videos to promote the ecology centre Sonairte. The centre is located less than a mile from the seaside, close to where I grew up in Laytown, Co Meath. Founded in the 1980’s, it was set up to promote hands on learning about the environment, and to exhibit alternative energy, a radical idea at the time. It’s a remarkably tranquil place, where visitors can walk a nature trail or learn sustainable growing techniques in a seizable Victorian market garden.
I shot these videos over two days at the centre, and developed the campaign around promoting the distinct experiences available, from Yoga classes to delicious organic fruit and veg. I may have stolen a few apples, hanging from the heavily laden branches of Sonairte’s twenty-seven distinct species of apple tree.
Sonairte are actively seeking volunteers, especially people with experience in organic horticulture or fundraising at state and European level. You can contact them by phone on 041 982 7572 or by email at firstname.lastname@example.org.
Everything was shot on the Panasonic G80, with a Sigma 18 – 35 Art lens. Most shots were captured on the Crane 2 gimbal. Editing and grading was done in Da-Vinci Resolve, and titling in Final Cut Pro.